A Short History of English DramaMacGibbon & Kee, 1965 - 216 páginas |
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Página 35
... Court . With drama at the Universities and the Inns of Court , or with performances at the Court itself , the Puri- tans were not much concerned . But they met with persistent hostil- ity the growth of a professional theatre , basing ...
... Court . With drama at the Universities and the Inns of Court , or with performances at the Court itself , the Puri- tans were not much concerned . But they met with persistent hostil- ity the growth of a professional theatre , basing ...
Página 106
... Court , his heart and sensibilities extending out to many sections of the people . In the Restoration period all was more restricted , for the Court dominated : there was no A Midsummer Night's Dream in the Restoration period ...
... Court , his heart and sensibilities extending out to many sections of the people . In the Restoration period all was more restricted , for the Court dominated : there was no A Midsummer Night's Dream in the Restoration period ...
Página 107
... Court had a laxity in morals which seemed limitless and he was determined , whatever happened , never to go on his travels again . Though naturally indolent , he was yet a man of great in- telligence . Those who condemn the morals of ...
... Court had a laxity in morals which seemed limitless and he was determined , whatever happened , never to go on his travels again . Though naturally indolent , he was yet a man of great in- telligence . Those who condemn the morals of ...
Contenido
INTRODUCTORY | 11 |
THE ORIGINS MIRACLES MORALITIES | 19 |
1 | 21 |
Derechos de autor | |
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Términos y frases comunes
Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant Bussy D'Ambois career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue drama dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio followed genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind Molière mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote