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"other herbs that bear fair flowers." And many "fair wells." And, "beside those wells, he had "let make fair halls and fair chambers, depainted "with gold and azure." And he had all kinds of beasts; and birds" that sang full delectably, and "moved by craft, that it seemed they were quick." And "the fairest damsels that might be found "under the age of 15 years; and the fairest

young striplings." "And he had also let make "three wells, fair and noble, and all environed "with stone of jasper, and of chrystal, diapred "with gold, and set with precious stones, and

great orient pearls. And he had made a conduit "under earth, so that the three wells, at his list, "one should run milk, another wine, and another "honey. And that place he called Paradise." (Sir J. Maundeville, fol. 336. Edit. 1727.)

CHAPTER IV.

Robert of Gloucester.-Various small Poems apparently written during the latter Part of the thirteenth Century. - Robert de Brunne.

We are now arrived at the poet whom his editor, Mr. Hearne, emphatically calls "the British Ennius," but concerning whom we know little more, than that he was a monk of the abbey of Gloucester; that his christian name was Robert; that he lived during the reigns of Henry III. and Edward I.; and that he wrote, in English rhymes, an history of England from the days of the imaginary Brutus, to his own time. His work seems to have been completed about the year 1280. "This

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rhyming chronicle," says Mr. Warton, is totally "void of art or imagination. The author has "clothed the fables of Geoffrey of Monmouth in

rhyme, which have often a more poetical air "in Geoffrey's prose. The language is full of "Saxonisms; but this obscurity is perhaps owing "to the western dialect, in which our monk of "Gloucester was educated."

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It would be quite hopeless to attempt a defence of Robert of Gloucester's poetry: perhaps his own wish was merely to render more generally intelligible a body of history which he considered as curious, and certainly believed to be authentic, because it was written in Latin, the language of truth and religion. Addressing himself to his illiterate countrymen, he employed the vulgar language as he found it, without any attempt at embellishment or refinement; and perhaps wrote in rhyme, only because it was found to be an useful help to the memory, and gave his work a chance of being recited in companies, where it could not be read. The latter part of his poem, in which he relates the events of his own time, will not appear quite uninteresting to those, who prefer the simple and desultory narratives of contemporary writers, to the philosophical abridgments of the moderns; and a great part of his obscurity will be found to result from that unnecessary mixture of the German or black letter with the Saxon characters, in which Mr. Hearne, from his inordinate appetite for antiquity, has thought proper to dress this ancient English author.

Robert of Gloucester, though cold and prosaic, is not quite deficient in the valuable talent of arresting the attention; and the orations with

which he occasionally diversifies the thread of his story, are in general appropriate and dramatic, and not only prove his good sense, but exhibit no unfavourable specimens of his eloquence. In his description of the first crusade he seems to change. his usual character, and becomes not only entertaining, but even animated; and the vision, in which a << holy man" is ordered to reproach the Christians with their departure from their duty, and at the same time to promise them the divine intervention, to extricate them from a situation in which the exertions of human valour were apparently fruitless, would not, perhaps, to contemporary readers, appear less poetical, nor less sublime and impressive, than the introduction of the heathen mythology into the works of the early classics. The expectations awakened by this grand incident are, indeed, miserably disappointed by the strange morality which our monk ascribes to the Supreme Being, who declares himself offended, not by the unnecessary cruelties of the crusaders, nor by the general profligacy of their manners, so much as by the reflection, that they

"With women of Paynim did their foul kind, "Whereof the stench came into heaven on high."

But these absurdities and inconsistencies present,

perhaps, a more lively picture of the reigning manners and opinions, than could have been intentionally delineated by a writer of much superior abilities to Robert of Gloucester.

Our sententious annalist has given, in the following few lines, the same description which we have already examined, as exhibited more at length by Wace, and imitated by Layamon.

The king was to his palace, tho' the service was y-do, Y-lad with his menye, and the queen to hers also. For hii held the old usages, that men with men

were.

By them selve, and women by them selve also

there.

Tho hii were each one y-set, as it to her state be

come,

Kay, king of Anjou, a thousand knights nome
Of noble men, y-clothed in ermine each one,
Of one suit 5 and served at this noble feast anon.
Bedwer the butler, king of Normandy,

Nom also, in his half a fair company,

1

When, sometimes then, but never though, which our old authors sometimes spell they, sometimes thogh, &c. &c.

2 Fr. Attendants.

Took. Sax.

3 They.

5 In the same dress.

On his behalf, or on his part. The use of the several

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