Biographia LiterariaThe Floating Press, 2009 M05 1 - 406 páginas Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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Página 12
... recollection to a man, whose severities, even now, not seldom furnish the dreams, by which the blind fancy would fain interpret to the mind the painful sensations of distempered sleep; but neither lessen nor dim the deep sense of 12.
... recollection to a man, whose severities, even now, not seldom furnish the dreams, by which the blind fancy would fain interpret to the mind the painful sensations of distempered sleep; but neither lessen nor dim the deep sense of 12.
Página 15
... conspicere; at fiere et meminisse relictum est. It was a double pleasure to me, and still remains a tender recollection, that I should have received from a friend so revered the first knowledge of a poet, by whose works, 15.
... conspicere; at fiere et meminisse relictum est. It was a double pleasure to me, and still remains a tender recollection, that I should have received from a friend so revered the first knowledge of a poet, by whose works, 15.
Página 80
... recollections, he admits five agents or occasioning causes: first, connection in time, whether simultaneous, preceding, or successive; second, vicinity or connection in space; third, interdependence or necessary connection, as cause and ...
... recollections, he admits five agents or occasioning causes: first, connection in time, whether simultaneous, preceding, or successive; second, vicinity or connection in space; third, interdependence or necessary connection, as cause and ...
Página 81
... recollection, or as we may aptly express it, after consciousness. In association then consists the whole mechanism of the reproduction of impressions, in the Aristotelian Psychology. It is the universal law of the passive fancy and ...
... recollection, or as we may aptly express it, after consciousness. In association then consists the whole mechanism of the reproduction of impressions, in the Aristotelian Psychology. It is the universal law of the passive fancy and ...
Página 125
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Contenido
| 7 | |
| 27 | |
| 42 | |
| 58 | |
| 73 | |
| 83 | |
| 92 | |
| 102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
| 109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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Términos y frases comunes
admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer