Biographia LiterariaThe Floating Press, 2009 M05 1 - 406 páginas Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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Página 7
... principle which I had never entertained. Nevertheless, had I had no other motive or incitement, the reader would not have been troubled with this exculpation. What my additional ... principles in Politics, Religion, 7 Chapter I.
... principle which I had never entertained. Nevertheless, had I had no other motive or incitement, the reader would not have been troubled with this exculpation. What my additional ... principles in Politics, Religion, 7 Chapter I.
Página 8
Samuel Taylor Coleridge. introductory to a statement of my principles in Politics, Religion, and Philosophy, and an application of the rules, deduced from philosophical principles, to poetry and criticism. But of the objects, which I ...
Samuel Taylor Coleridge. introductory to a statement of my principles in Politics, Religion, and Philosophy, and an application of the rules, deduced from philosophical principles, to poetry and criticism. But of the objects, which I ...
Página 42
... Principles of modern criticism—Mr. Southey's works and character. To anonymous critics in reviews, magazines, and news-journals of various name and rank, and to satirists with or without a name in verse or prose, or in verse-text aided ...
... Principles of modern criticism—Mr. Southey's works and character. To anonymous critics in reviews, magazines, and news-journals of various name and rank, and to satirists with or without a name in verse or prose, or in verse-text aided ...
Página 44
... principles of criticism as applied to Shakespeare and Milton, constitute my whole publicity; the only occasions on which I could offend any member of the republic of letters. With one solitary exception in which my words were first ...
... principles of criticism as applied to Shakespeare and Milton, constitute my whole publicity; the only occasions on which I could offend any member of the republic of letters. With one solitary exception in which my words were first ...
Página 51
... attention of future writers from the objects of their love and wonder, to an imitation of the few poems and passages in which the poet was most unlike himself. But till reviews are conducted on far other principles, and 51.
... attention of future writers from the objects of their love and wonder, to an imitation of the few poems and passages in which the poet was most unlike himself. But till reviews are conducted on far other principles, and 51.
Contenido
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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Términos y frases comunes
admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer