Biographia LiterariaThe Floating Press, 2009 M05 1 - 406 páginas Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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Página 18
... feelings of the heart; still there was a long and blessed interval, during which my natural faculties were allowed to expand, and my original tendencies to develop themselves;—my fancy, and the love of nature, and the sense of beauty in ...
... feelings of the heart; still there was a long and blessed interval, during which my natural faculties were allowed to expand, and my original tendencies to develop themselves;—my fancy, and the love of nature, and the sense of beauty in ...
Página 23
Samuel Taylor Coleridge. however observed, that I excluded from the list of worthy feelings, the pleasure derived ... feeling! it is everywhere present, but seldom anywhere as a separate excitement. I was wont boldly to affirm, that ...
Samuel Taylor Coleridge. however observed, that I excluded from the list of worthy feelings, the pleasure derived ... feeling! it is everywhere present, but seldom anywhere as a separate excitement. I was wont boldly to affirm, that ...
Página 27
... feeling, with which readers in general take part against the author, in favour of the critic; and the readiness with which they apply to all poets the old sarcasm of Horace upon the scribblers of his time ——genus irritabile vatum. A ...
... feeling, with which readers in general take part against the author, in favour of the critic; and the readiness with which they apply to all poets the old sarcasm of Horace upon the scribblers of his time ——genus irritabile vatum. A ...
Página 28
... feeling, an involuntary sense of fear from which nature has no means of rescuing herself but by anger. Experience ... feelings and affections blend more easily and intimately with these ideal creations than with the objects of the ...
... feeling, an involuntary sense of fear from which nature has no means of rescuing herself but by anger. Experience ... feelings and affections blend more easily and intimately with these ideal creations than with the objects of the ...
Página 34
... feelings, from a real sense of inward power, what can be more natural, than that this difference should betray itself in suspicious and jealous irritability? Even as the flowery sod, which covers a hollow, may be often detected by its ...
... feelings, from a real sense of inward power, what can be more natural, than that this difference should betray itself in suspicious and jealous irritability? Even as the flowery sod, which covers a hollow, may be often detected by its ...
Contenido
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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Términos y frases comunes
admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer