Biographia LiterariaThe Floating Press, 2009 M05 1 - 406 páginas Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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Página 27
... consciousness, that complex feeling, with which readers in general take part against the author, in favour of the critic; and the readiness with which they apply to all poets the old sarcasm of Horace upon the scribblers of his time ...
... consciousness, that complex feeling, with which readers in general take part against the author, in favour of the critic; and the readiness with which they apply to all poets the old sarcasm of Horace upon the scribblers of his time ...
Página 70
... lift themselves above ground, and are visible to the naked eye of our common consciousness. Yet even in this attempt I am aware that I shall be obliged to draw more largely on the reader's attention, than so immethodical 70.
... lift themselves above ground, and are visible to the naked eye of our common consciousness. Yet even in this attempt I am aware that I shall be obliged to draw more largely on the reader's attention, than so immethodical 70.
Página 74
... conscious effort of the will, or even against it. Our inward experiences were thus arranged in three separate classes, the passive sense, or what the School-men call the merely receptive quality of the mind; the voluntary; and the ...
... conscious effort of the will, or even against it. Our inward experiences were thus arranged in three separate classes, the passive sense, or what the School-men call the merely receptive quality of the mind; the voluntary; and the ...
Página 81
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Página 90
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Contenido
7 | |
27 | |
42 | |
58 | |
73 | |
Chapter VI | 83 |
Chapter VII | 92 |
Chapter VIII | 102 |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
Chapter IX | 109 |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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Términos y frases comunes
admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer