Biographia LiterariaThe Floating Press, 2009 M05 1 - 406 páginas Samuel Taylor Coleridge's 1817 work Biographia Literaria is an autobiography in discourse; loosely structured and non-linear, the work is meditative and contains numerous philosophical essays. Initially criticized as the product of Coleridge's opiate-driven descent into illness, more recent critics have given the work far more credit and recognition. The book is the origin of the well-known critical idea of "willing suspension of disbelief." |
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Página 10
... Shakespeare and Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learned from him, that poetry, even that of the loftiest and, seemingly, that of the ...
... Shakespeare and Milton as lessons: and they were the lessons too, which required most time and trouble to bring up, so as to escape his censure. I learned from him, that poetry, even that of the loftiest and, seemingly, that of the ...
Página 19
... original Greek, from which they were borrowed, for the preference of Collins's odes to those of Gray; and of the simile in Shakespeare How like a younker or a prodigal The scarfed bark puts from her native bay, Hugg'd and 19.
... original Greek, from which they were borrowed, for the preference of Collins's odes to those of Gray; and of the simile in Shakespeare How like a younker or a prodigal The scarfed bark puts from her native bay, Hugg'd and 19.
Página 20
... Shakespeare and Milton, and in the clear perception how completely all the propriety was lost in the transfer, I was, at that early period, led to a conjecture, which, many years afterwards was recalled to me from the same thought ...
... Shakespeare and Milton, and in the clear perception how completely all the propriety was lost in the transfer, I was, at that early period, led to a conjecture, which, many years afterwards was recalled to me from the same thought ...
Página 23
... Shakespeare, (in their most important works at least,) without making the poet say something else, or something worse, than he does say. One great distinction, I appeared to myself to see plainly between even the characteristic faults ...
... Shakespeare, (in their most important works at least,) without making the poet say something else, or something worse, than he does say. One great distinction, I appeared to myself to see plainly between even the characteristic faults ...
Página 30
... Shakespeare's evenness and sweetness of temper were almost proverbial in his own age. That this did not arise from ignorance of his own comparative greatness, we have abundant proof in his Sonnets, which could scarcely have been known ...
... Shakespeare's evenness and sweetness of temper were almost proverbial in his own age. That this did not arise from ignorance of his own comparative greatness, we have abundant proof in his Sonnets, which could scarcely have been known ...
Contenido
7 | |
27 | |
42 | |
58 | |
73 | |
83 | |
92 | |
102 | |
Chapter XIV | 238 |
Chapter XV | 249 |
Chapter XVI | 259 |
Chapter XVII | 265 |
Chapter XVIII | 282 |
Chapter XIX | 314 |
Chapter XX | 326 |
Chapter XXI | 337 |
109 | |
Chapter X | 125 |
Chapter XI | 177 |
Chapter XII | 188 |
Chapter XIII | 227 |
Chapter XXII | 350 |
Chapter XXIII | 459 |
Chapter XXIV | 496 |
Endnotes | 511 |
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Términos y frases comunes
admiration answer appear Aristotle beauty become blank verse cause character commencement common composition consciousness conversation criticism DANE deemed diction distinct drama effect Elbe English equally excellence excitement existence express faculty fancy feelings former French genius German German language greater Greek ground Hamburg heart honour human images imagination imitation impression instance intellectual intelligible interest jacobinism judgment Klopstock knowledge koax language latter least less lines literary Lyrical Ballads meaning metaphysics metre Milton mind mode moral natural philosophy nature never notions object once original passage passion perhaps person philosopher Plato pleasure Plotinus poem poet poetic poetry possess possible present principles prose Ratzeburg reader reason recollection rhyme scarcely sensation sense Shakespeare sonnet soul Spinoza spirit stanzas style supposed Synesius taste things thou thought translation true truth VENUS AND ADONIS verse whole words Wordsworth's writer