Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
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Página 62
... Tragedy , for example , the figures of Don Andrea and Revenge remain separate from the action of the play which includes them , since they do not interfere with the dramatic machinery of the play in any way . Their speeches intensify ...
... Tragedy , for example , the figures of Don Andrea and Revenge remain separate from the action of the play which includes them , since they do not interfere with the dramatic machinery of the play in any way . Their speeches intensify ...
Página 165
... tragedies . In Shakespearean tragedy Vindice's language would be considered indecorous : Advance thee , O thou terror to fat folks , To have their costly three - pil'd flesh worn off As bare as this - for banquets , ease and laughter ...
... tragedies . In Shakespearean tragedy Vindice's language would be considered indecorous : Advance thee , O thou terror to fat folks , To have their costly three - pil'd flesh worn off As bare as this - for banquets , ease and laughter ...
Página 205
... tragedy , yet brings some near it , which is enough to make it no comedy , which must be a representation of familiar people , with such kind of trouble as no life be questioned ; so that a god is as lawful in this as in a tragedy , and ...
... tragedy , yet brings some near it , which is enough to make it no comedy , which must be a representation of familiar people , with such kind of trouble as no life be questioned ; so that a god is as lawful in this as in a tragedy , and ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale