Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 32
Página 6
... things true weeps things imaginary . II.ii.14-27 Bushy's very expressions accomplish in words what perspective paint- ings accomplish in visual form : they play with the whole idea of proper perception . Bushy says , paradoxically ...
... things true weeps things imaginary . II.ii.14-27 Bushy's very expressions accomplish in words what perspective paint- ings accomplish in visual form : they play with the whole idea of proper perception . Bushy says , paradoxically ...
Página 116
... things happen inexplicably or fortuitously , as it seems to the char- acters , where at any moment one may cry , ' thou met'st with things dying , I with things newborn ' , as simply the way life goes on . The schemes and intentions of ...
... things happen inexplicably or fortuitously , as it seems to the char- acters , where at any moment one may cry , ' thou met'st with things dying , I with things newborn ' , as simply the way life goes on . The schemes and intentions of ...
Página 188
... things newborn in a surprising and emblematic scene , but back in Sicilia , where the survival of Perdita and the ... thing as a mannerist play , this is it . But even when allowing his inventiveness full rein in his last plays ...
... things newborn in a surprising and emblematic scene , but back in Sicilia , where the survival of Perdita and the ... thing as a mannerist play , this is it . But even when allowing his inventiveness full rein in his last plays ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's