Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 13
Página 68
... thee after . When a wise man gives thee better counsel , give me mine again . I would have none but knaves follow it since a fool gives it . That sir which serves and seeks for gain , And follows but for form , Will pack when it begins ...
... thee after . When a wise man gives thee better counsel , give me mine again . I would have none but knaves follow it since a fool gives it . That sir which serves and seeks for gain , And follows but for form , Will pack when it begins ...
Página 80
... thee to thy sinking , for / Thy dearest quit thee ' ( 111.xiii.63-5 ) . The asides which he speaks to us concerning the whipping of Thyreus in III.xiii 80 / ' Look where they come '
... thee to thy sinking , for / Thy dearest quit thee ' ( 111.xiii.63-5 ) . The asides which he speaks to us concerning the whipping of Thyreus in III.xiii 80 / ' Look where they come '
Página 85
... an actor when the Duke's con- science is finally shaken over his ordering the Duchess's murder : - For thee , ( as we observe in tragedies That a good actor many times is curs'd For playing The Sprecher and Shifting Perspectives / 85.
... an actor when the Duke's con- science is finally shaken over his ordering the Duchess's murder : - For thee , ( as we observe in tragedies That a good actor many times is curs'd For playing The Sprecher and Shifting Perspectives / 85.
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's