Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 31
Página 40
... theatre , and partly by leaving us vulnerable to the effects of false illusion themselves – after all , he withheld the secret behind the illusionary events on the island until after we had experienced the storm that opened the play ...
... theatre , and partly by leaving us vulnerable to the effects of false illusion themselves – after all , he withheld the secret behind the illusionary events on the island until after we had experienced the storm that opened the play ...
Página 183
... theatre ends just as the day on the island ends , we are left with something like the courtiers ' experience to bring away from the theatre with us . As has often been noted in the Prospero speech , which many consider the thematic ...
... theatre ends just as the day on the island ends , we are left with something like the courtiers ' experience to bring away from the theatre with us . As has often been noted in the Prospero speech , which many consider the thematic ...
Página 219
... Theatre 6 ( 1975 ) , 29–75 - John Marston's Fantastical Plays : Antonio and Mellida and Antonio's Revenge . ' Philological Quarterly 41 : 1 ( 1962 ) , 229-37 Forster , Kurth W. , and Richard J. Tuttle ' Palazzo del Té ( Mantua ) ...
... Theatre 6 ( 1975 ) , 29–75 - John Marston's Fantastical Plays : Antonio and Mellida and Antonio's Revenge . ' Philological Quarterly 41 : 1 ( 1962 ) , 229-37 Forster , Kurth W. , and Richard J. Tuttle ' Palazzo del Té ( Mantua ) ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's