Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
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Página 48
... stand next to Shakespeare as the mannerist dramatist most eager to express his interest in visual illusion . Unique to Shakespearean mannerism , however , is the emphasis given the ' dreaming and waking ' figure , especially in the late ...
... stand next to Shakespeare as the mannerist dramatist most eager to express his interest in visual illusion . Unique to Shakespearean mannerism , however , is the emphasis given the ' dreaming and waking ' figure , especially in the late ...
Página 92
... stand [ s ] i ' th ' gaps ' to steer the narrative so that au- dience and characters alike experience the ... stand me . SECOND LORD [ aside ] No , but he fled forward still , toward your face . FIRST LORD Stand you ? You have land ...
... stand [ s ] i ' th ' gaps ' to steer the narrative so that au- dience and characters alike experience the ... stand me . SECOND LORD [ aside ] No , but he fled forward still , toward your face . FIRST LORD Stand you ? You have land ...
Página 132
... stand to , and not stand to ; in conclusion , equivocates him in a sleep , and , giving him the lie , leaves him . II.iii.29-33 This marvellous ironically comic scene contributes a brief critical view of an often sympathetic ...
... stand to , and not stand to ; in conclusion , equivocates him in a sleep , and , giving him the lie , leaves him . II.iii.29-33 This marvellous ironically comic scene contributes a brief critical view of an often sympathetic ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's