Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
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... sprezzatura and oneupmanship , employs conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of ...
... sprezzatura and oneupmanship , employs conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of ...
Página
... sprezzatura and oneupmanship , employs conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of ...
... sprezzatura and oneupmanship , employs conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of ...
Página
... sprezzatura and oneupmanship , employs conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of ...
... sprezzatura and oneupmanship , employs conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale