Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 19
Página 29
... shift its meaning away from the highly sophisticated sixteenth - century art that Vasari so much ad- mired . Other difficulties in using the term as a means of categorizing the style of either late Renaissance Italian visual art or late ...
... shift its meaning away from the highly sophisticated sixteenth - century art that Vasari so much ad- mired . Other difficulties in using the term as a means of categorizing the style of either late Renaissance Italian visual art or late ...
Página 30
... shift in vision also distinguishes Tintoretto's Last Supper ( figure 14 ) from Leonardo's ( figure 15 ) . Completing ... shifts occur in Italian architecture . Taking the place of the orderly compositional poise and harmonious ...
... shift in vision also distinguishes Tintoretto's Last Supper ( figure 14 ) from Leonardo's ( figure 15 ) . Completing ... shifts occur in Italian architecture . Taking the place of the orderly compositional poise and harmonious ...
Página 186
... shifts in aesthetic distance . The change in emphasis and effect given various aspects of the dram- atist's art have ... shift audience perspective more abruptly and more completely beyond the bounds of the immediate play . Classical ...
... shifts in aesthetic distance . The change in emphasis and effect given various aspects of the dram- atist's art have ... shift audience perspective more abruptly and more completely beyond the bounds of the immediate play . Classical ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's