Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 85
Página 85
... says , only ' an actor in the main of all ' ( v.v.85 ) . His speeches call attention to the theatricality if his actions , as is the case with the closing couplet in III.ii , and , referring to the skill with which one must dissemble in ...
... says , only ' an actor in the main of all ' ( v.v.85 ) . His speeches call attention to the theatricality if his actions , as is the case with the closing couplet in III.ii , and , referring to the skill with which one must dissemble in ...
Página 164
... says ' to be honest is not to be i ' th ' world ' ( 1.1.95 ) at the very moment when he decides to adopt his disguise , or even when Supervacuo , the Machiavellian brother par excellence , himself says ' Oaths in these days are but the ...
... says ' to be honest is not to be i ' th ' world ' ( 1.1.95 ) at the very moment when he decides to adopt his disguise , or even when Supervacuo , the Machiavellian brother par excellence , himself says ' Oaths in these days are but the ...
Página 191
... says that ' it is clear that Inigo Jones had been in Italy before 1603 and , what is immensely significant for our pur- pose , had come in close contact with Italian art and had learned to draw ' ( p 112 ) . Akrigg also says that ...
... says that ' it is clear that Inigo Jones had been in Italy before 1603 and , what is immensely significant for our pur- pose , had come in close contact with Italian art and had learned to draw ' ( p 112 ) . Akrigg also says that ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's