Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 24
Página 38
... satiric drama are often used to register discontent with social norms . Such is the case in The Malcontent when Altofronto , disguised as Mal- evole , talks about ' those old instruments of state , / Dissemblance and Suspect , ' and ...
... satiric drama are often used to register discontent with social norms . Such is the case in The Malcontent when Altofronto , disguised as Mal- evole , talks about ' those old instruments of state , / Dissemblance and Suspect , ' and ...
Página 55
... satiric , fantastic , and full of surprising invention . In drama , a Sprecher is a larger conceptual phenomenon than a ' satiric spokesman , ' since a Sprecher can mock the play , the players , and the playwright . The whole shimmering ...
... satiric , fantastic , and full of surprising invention . In drama , a Sprecher is a larger conceptual phenomenon than a ' satiric spokesman , ' since a Sprecher can mock the play , the players , and the playwright . The whole shimmering ...
Página 160
... satiric finger , a finger which points unsympathetically to- wards the deceitful reality of the ways of the world . The asides of Feliche are largely responsible for the satiric impact of part 1 , O that the stomach of this queasy age ...
... satiric finger , a finger which points unsympathetically to- wards the deceitful reality of the ways of the world . The asides of Feliche are largely responsible for the satiric impact of part 1 , O that the stomach of this queasy age ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's