Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 21
Página 62
... revenge , thereby suggesting the concentric nature of the play's Renaissance design . Revenge identifies himself and Don Andrea as the chorus of the tragedy in the opening scene , but , true to his classical origins , his various ...
... revenge , thereby suggesting the concentric nature of the play's Renaissance design . Revenge identifies himself and Don Andrea as the chorus of the tragedy in the opening scene , but , true to his classical origins , his various ...
Página 69
... Revenge . Most readers would concede that Balurdo's characterization is less fully realized and his speeches less remarkable than those of Lear's Fool . But Marston's brilliant theatricality and audacious creative vision allow for a ...
... Revenge . Most readers would concede that Balurdo's characterization is less fully realized and his speeches less remarkable than those of Lear's Fool . But Marston's brilliant theatricality and audacious creative vision allow for a ...
Página 209
... revenge play are here : the grotesque and exceedingly cunning villain , the ghost crying for revenge , the revenger , hesitant , distracted , groping toward justice , and the crimes executed in conspicuously gruesome detail ' ( John ...
... revenge play are here : the grotesque and exceedingly cunning villain , the ghost crying for revenge , the revenger , hesitant , distracted , groping toward justice , and the crimes executed in conspicuously gruesome detail ' ( John ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's