Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 41
Página 20
... reveals not only a difference in concept between the two main fronts but also a difference in personality between the arms of the ' U ' - shape plan and the plan's cross piece . The Hatfield plan further reveals a certain picaresqueness ...
... reveals not only a difference in concept between the two main fronts but also a difference in personality between the arms of the ' U ' - shape plan and the plan's cross piece . The Hatfield plan further reveals a certain picaresqueness ...
Página 56
... reveals the didactic quality of Jonson's Muse and appears more stridently self - reflexive than , for instance , the ... revealing a fully idiosyncratic personality - his is melancholy for its own sake : I cannot hide what I am : I must ...
... reveals the didactic quality of Jonson's Muse and appears more stridently self - reflexive than , for instance , the ... revealing a fully idiosyncratic personality - his is melancholy for its own sake : I cannot hide what I am : I must ...
Página 128
... reveals little new devel- opment of character , making the masque - like procession of personages and progression of ... revealing ' the Image of death ' on the backside of her head . The picture thus conveyed something of the ...
... reveals little new devel- opment of character , making the masque - like procession of personages and progression of ... revealing ' the Image of death ' on the backside of her head . The picture thus conveyed something of the ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's