Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 79
Página 89
... play - as it does in Shakespeare's Romances - since Sly is very quickly convinced of his new identity as his role in the practical joke played on him takes command of his imag- ination . Even the recent production of the play at ...
... play - as it does in Shakespeare's Romances - since Sly is very quickly convinced of his new identity as his role in the practical joke played on him takes command of his imag- ination . Even the recent production of the play at ...
Página 90
... play at subsequent points to scuffle with Barbaroso ( act III ) , to converse with Lady Pompiona ( act IV ) , to make an address in honour of the city ( act Iv ) , to participate in mock battle ( act v ) , and , finally , to die ( act v ) ...
... play at subsequent points to scuffle with Barbaroso ( act III ) , to converse with Lady Pompiona ( act IV ) , to make an address in honour of the city ( act Iv ) , to participate in mock battle ( act v ) , and , finally , to die ( act v ) ...
Página 171
... play . The audience's awareness of the play's overt artifice depends on the insistent interruptions by George and Nell of the performance of the play within the play , ' The London Merchant . ' But , as one recent editor remarks , the ...
... play . The audience's awareness of the play's overt artifice depends on the insistent interruptions by George and Nell of the performance of the play within the play , ' The London Merchant . ' But , as one recent editor remarks , the ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's