Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 77
Página 157
... play - world itself . Complementing the play's self - conscious characterizations is the way in which the language of the play is employed by the playwright to remind us continually of the play's theatricality . In this regard the pro ...
... play - world itself . Complementing the play's self - conscious characterizations is the way in which the language of the play is employed by the playwright to remind us continually of the play's theatricality . In this regard the pro ...
Página 171
... play's Pirandellesque exploration of the nature of theatrical illusion would surely have piqued Shakespeare's interest , whether he saw or merely heard about the production of Beaumont's remarkable play . The audience's awareness of the ...
... play's Pirandellesque exploration of the nature of theatrical illusion would surely have piqued Shakespeare's interest , whether he saw or merely heard about the production of Beaumont's remarkable play . The audience's awareness of the ...
Página 187
... play- wright's overt and deliberate cultivation of illusory awareness - what you see may not be what you get - as in the play's sheepshearing scene . Hovering over all the action is the prophecy of Apollo . Then another aspect of the play's ...
... play- wright's overt and deliberate cultivation of illusory awareness - what you see may not be what you get - as in the play's sheepshearing scene . Hovering over all the action is the prophecy of Apollo . Then another aspect of the play's ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's