Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 5
... perspective into the clever illusionistic conceit of its design ( figure 1 ) .8 But though Jones ' interest in theatrical illusion was made strikingly evident at Oxford in 1605 , the idea of perspective illusion was very much a part of ...
... perspective into the clever illusionistic conceit of its design ( figure 1 ) .8 But though Jones ' interest in theatrical illusion was made strikingly evident at Oxford in 1605 , the idea of perspective illusion was very much a part of ...
Página 6
... perspective paint- ings accomplish in visual form : they play with the whole idea of proper perception . Bushy says , paradoxically , that certain ' perspectives ' can only be ' rightly gazed upon ' when ' eyed awry , ' while ' false ...
... perspective paint- ings accomplish in visual form : they play with the whole idea of proper perception . Bushy says , paradoxically , that certain ' perspectives ' can only be ' rightly gazed upon ' when ' eyed awry , ' while ' false ...
Página 7
... perspective painting , the perspective glass has here ' Extended or contracted all proportions to a most hideous object . ' One of Shakespeare's cleverest articulations of this idea of perspective is found in his Sonnet 24 , especially ...
... perspective painting , the perspective glass has here ' Extended or contracted all proportions to a most hideous object . ' One of Shakespeare's cleverest articulations of this idea of perspective is found in his Sonnet 24 , especially ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's