Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
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Página 34
... performed , the strong demand for new plays , and the impressive num- ber of court performances , especially for James , it would have been a wonder if the playwright had had any time at all to himself . Beyond the sheer size of the ...
... performed , the strong demand for new plays , and the impressive num- ber of court performances , especially for James , it would have been a wonder if the playwright had had any time at all to himself . Beyond the sheer size of the ...
Página 58
... performed by the King's Men in 1604. When the play's actors assemble to discuss their parts , Condell confirms that Burbage , the most renowned tragedian in Shakespeare's company , is to ' play the Malcontent ' ( Ind 86 ) . Such de ...
... performed by the King's Men in 1604. When the play's actors assemble to discuss their parts , Condell confirms that Burbage , the most renowned tragedian in Shakespeare's company , is to ' play the Malcontent ' ( Ind 86 ) . Such de ...
Página 124
... performed by Shakespeare's company before the composition of Measure for Measure , as it may well have been , 3 we see the mannerist Shakespeare even more eager in intent than in style . Nevertheless , the Mannerist's penchant for ...
... performed by Shakespeare's company before the composition of Measure for Measure , as it may well have been , 3 we see the mannerist Shakespeare even more eager in intent than in style . Nevertheless , the Mannerist's penchant for ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's