Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 7
... painter's art . For through the painter must you see his skill To find where your true image pictured lies , Which in my bosom's shop is hanging still , That hath his windows glazed with thine eyes . Now see what good turns eyes for ...
... painter's art . For through the painter must you see his skill To find where your true image pictured lies , Which in my bosom's shop is hanging still , That hath his windows glazed with thine eyes . Now see what good turns eyes for ...
Página 13
... painter and not as a sculptor.25 If Shakespeare had known of Romano's re- markable trompe l'oeil images at the Palazzo del Té at Mantua , which are actually two - dimensional paintings masquerading as three - dimensional sculpture ...
... painter and not as a sculptor.25 If Shakespeare had known of Romano's re- markable trompe l'oeil images at the Palazzo del Té at Mantua , which are actually two - dimensional paintings masquerading as three - dimensional sculpture ...
Página 198
... painter and unique architect ' ( George Bull's Penguin translation of the Selected Letters , p 213 ) in a letter of June 1542 attempting to get Romano to come to Venice . He says in praise of Romano , ' in your craft you are great ...
... painter and unique architect ' ( George Bull's Penguin translation of the Selected Letters , p 213 ) in a letter of June 1542 attempting to get Romano to come to Venice . He says in praise of Romano , ' in your craft you are great ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's