Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 79
... merely an authorial mouthpiece . Arruntius ' dishonour contrasts with Silius ' courage and his stoic ability to take himself out of life on his own terms – even though he too fails to change the world . But similarly dishonourable is ...
... merely an authorial mouthpiece . Arruntius ' dishonour contrasts with Silius ' courage and his stoic ability to take himself out of life on his own terms – even though he too fails to change the world . But similarly dishonourable is ...
Página 88
... merely occasional asides to the audience . Also , like the sometimes silent Thersites in v.ii of Troilus and Cressida , the stage audience can allow the real audience a double view of the stage action merely by its presence at the side ...
... merely occasional asides to the audience . Also , like the sometimes silent Thersites in v.ii of Troilus and Cressida , the stage audience can allow the real audience a double view of the stage action merely by its presence at the side ...
Página 89
... merely confirmed for the audience the fact that the play was an illusion . ( He also released many modern spectators from the agony of struggling with the idea of the play as being about the domi- nance of one marriage partner over the ...
... merely confirmed for the audience the fact that the play was an illusion . ( He also released many modern spectators from the agony of struggling with the idea of the play as being about the domi- nance of one marriage partner over the ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's