Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 46
... leave Posthumus , and likely the audience , a little perplexed . Clearly , the illusory awareness so evident in the world of Shakespearean romance helps obscure the distinctions one is normally inclined to make between fact and fiction ...
... leave Posthumus , and likely the audience , a little perplexed . Clearly , the illusory awareness so evident in the world of Shakespearean romance helps obscure the distinctions one is normally inclined to make between fact and fiction ...
Página 80
... leave him . III.xiii . 197–201 This aside thus reinforces Enobarbus ' earlier aside about Antony in the same scene , ' Sir , sir , thou art so leaky / That we must leave thee to thy sinking , for / Thy dearest quit thee ' ( 111.xiii.63 ...
... leave him . III.xiii . 197–201 This aside thus reinforces Enobarbus ' earlier aside about Antony in the same scene , ' Sir , sir , thou art so leaky / That we must leave thee to thy sinking , for / Thy dearest quit thee ' ( 111.xiii.63 ...
Página 97
... leave our emotions somewhat detached from the revelation of the final outcome . The dramatist's cultivation of a detached response in us can be likened to the kind of ' cold elegance ' with which Parmi- gianino renders his famous long ...
... leave our emotions somewhat detached from the revelation of the final outcome . The dramatist's cultivation of a detached response in us can be likened to the kind of ' cold elegance ' with which Parmi- gianino renders his famous long ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's