Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 22
Página 70
... gods . ALEXANDER They be gods of the earth . DIOGENES Yea , gods of earth . 11.ii.192–20414 So deliberately parallel are Diogenes ' responses that he becomes con- tained by his play in the way that Touchstone is 70 / ' Look where they come ...
... gods . ALEXANDER They be gods of the earth . DIOGENES Yea , gods of earth . 11.ii.192–20414 So deliberately parallel are Diogenes ' responses that he becomes con- tained by his play in the way that Touchstone is 70 / ' Look where they come ...
Página 77
... gods . All prayers are vain for him . III.147-9 In act v , Arruntius speaks seven asides in the space of seventy ... gods . SEJANUS How like a god speaks Caesar ! ARRUNTIUS [ Aside ] There observe ! He can endure The Sprecher and ...
... gods . All prayers are vain for him . III.147-9 In act v , Arruntius speaks seven asides in the space of seventy ... gods . SEJANUS How like a god speaks Caesar ! ARRUNTIUS [ Aside ] There observe ! He can endure The Sprecher and ...
Página 175
... gods . Because the line separating gods and men , like that separating the play- world and the audience , has broken down , the points of contact between all three realms become more poignant and direct , more piquant and continual ...
... gods . Because the line separating gods and men , like that separating the play- world and the audience , has broken down , the points of contact between all three realms become more poignant and direct , more piquant and continual ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's