Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 39
Página 65
... give myself , for I am yours . [ to Duke ] To you I give myself , for I am yours . [ to Orlando ] DUKE SENIOR If there be truth in sight , you are my daughter . ORLANDO If there be truth in sight , you are my Rosalind . PHEBE If sight ...
... give myself , for I am yours . [ to Duke ] To you I give myself , for I am yours . [ to Orlando ] DUKE SENIOR If there be truth in sight , you are my daughter . ORLANDO If there be truth in sight , you are my Rosalind . PHEBE If sight ...
Página 68
... gives thee better counsel , give me mine again . I would have none but knaves follow it since a fool gives it . That sir which serves and seeks for gain , And follows but for form , Will pack when it begins to rain And leave thee in the ...
... gives thee better counsel , give me mine again . I would have none but knaves follow it since a fool gives it . That sir which serves and seeks for gain , And follows but for form , Will pack when it begins to rain And leave thee in the ...
Página 136
... give you this , that one I never knew Plead better for , and ' gainst , the devil than you . Iv.iv.87-8 The balance ... gives Vindice while in and out of character ( such as his ' Who would not lie when men are hanged for truth ? ' at ...
... give you this , that one I never knew Plead better for , and ' gainst , the devil than you . Iv.iv.87-8 The balance ... gives Vindice while in and out of character ( such as his ' Who would not lie when men are hanged for truth ? ' at ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's