Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 11
Página 3
... gentlemen who had fallen out of favour with Elizabeth now looked eagerly for any possibility of recovering their former status . Those who penetrated the confines of the court realized at once their uncomfortable predicament , for their ...
... gentlemen who had fallen out of favour with Elizabeth now looked eagerly for any possibility of recovering their former status . Those who penetrated the confines of the court realized at once their uncomfortable predicament , for their ...
Página 176
... GENTLEMAN This news which is called true is so like an old tale that the verity of it is in strong suspicion v.ii.27-9 THIRD GENTLEMAN Like an old tale still , which will have matter to rehearse , though credit be asleep and not an ear ...
... GENTLEMAN This news which is called true is so like an old tale that the verity of it is in strong suspicion v.ii.27-9 THIRD GENTLEMAN Like an old tale still , which will have matter to rehearse , though credit be asleep and not an ear ...
Página 182
... Gentleman's speech in v.ii is a good example : One of the prettiest touches of all , and that which angled for mine eyes , caught the water though not the fish , was when , at the relation of the queen's death , with the manner how she ...
... Gentleman's speech in v.ii is a good example : One of the prettiest touches of all , and that which angled for mine eyes , caught the water though not the fish , was when , at the relation of the queen's death , with the manner how she ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's