Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 19
... final scene of The Winter's Tale was already pervasive in the work of other Jacobean artists . Not only was the staging of spectacular new court masques breaking new visual ground , but musicians , painters , poets , and architects ...
... final scene of The Winter's Tale was already pervasive in the work of other Jacobean artists . Not only was the staging of spectacular new court masques breaking new visual ground , but musicians , painters , poets , and architects ...
Página 131
... final scene , where the hero's role - playing goes far beyond that of jealous husband , does the hero's rhetorical posturing become so exaggerated as to put him out of touch with his circumstance . As Othello fabricates the illusion of ...
... final scene , where the hero's role - playing goes far beyond that of jealous husband , does the hero's rhetorical posturing become so exaggerated as to put him out of touch with his circumstance . As Othello fabricates the illusion of ...
Página 136
... final confirmation of the ex- tent to which he has embraced the artificiality of his actions . All the while the playwright is at pains to offer the audience a detached per- spective on Vindice's duplicity , both through the satirical ...
... final confirmation of the ex- tent to which he has embraced the artificiality of his actions . All the while the playwright is at pains to offer the audience a detached per- spective on Vindice's duplicity , both through the satirical ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's