Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 131
... false declaration of character towards Macduff , Malcolm so effectively persuades Macduff of his macabre temperament , before revealing his role - playing to be falsely dissembled , that Macduff concludes , Such welcome and unwelcome ...
... false declaration of character towards Macduff , Malcolm so effectively persuades Macduff of his macabre temperament , before revealing his role - playing to be falsely dissembled , that Macduff concludes , Such welcome and unwelcome ...
Página 132
... false apology and clever implication : A good and virtuous nature may recoil In an imperial charge . But I shall ... false detraction , despairs , after which Malcolm , assured by Macduff's expression of loyalty , ' unspeaks ' his own ...
... false apology and clever implication : A good and virtuous nature may recoil In an imperial charge . But I shall ... false detraction , despairs , after which Malcolm , assured by Macduff's expression of loyalty , ' unspeaks ' his own ...
Página 222
... false perspective 5 , 192n8 false wall 4,9 figura serpentinata 123 Finkelpearl , Philip 159 Fitzalan , Henry . See Arundel , Earl of Fletcher , John 205n5 , 207n17 Foakes , R.A. 82 , 115 , 116-17 , 135 , 177-8 fools 64-70 Fontainebleau ...
... false perspective 5 , 192n8 false wall 4,9 figura serpentinata 123 Finkelpearl , Philip 159 Fitzalan , Henry . See Arundel , Earl of Fletcher , John 205n5 , 207n17 Foakes , R.A. 82 , 115 , 116-17 , 135 , 177-8 fools 64-70 Fontainebleau ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's