Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 6
Página 18
... fair game for the experienced playwright . The bounds of the artist's traditional constraints could be explored , tested , pushed to the limit , and perception itself could be challenged , as could the audience's relationship to the ...
... fair game for the experienced playwright . The bounds of the artist's traditional constraints could be explored , tested , pushed to the limit , and perception itself could be challenged , as could the audience's relationship to the ...
Página 128
... Fair of St Germains in 1607. By manipulating perspectives the artist of such works superimposed one image on another to make a moral point . Hawthornden describes one such painting by saying that the first view shew old men and young ...
... Fair of St Germains in 1607. By manipulating perspectives the artist of such works superimposed one image on another to make a moral point . Hawthornden describes one such painting by saying that the first view shew old men and young ...
Página 209
... fair , / Though ' tis much rivelled with abortive care ? ' ( lines 17-20 ) . 27 Note too his aside at Iv.ii. 38ff . 28 See Gair's Introduction to the Revels edition on this point , p 38. This speech may be an example of what Ellis ...
... fair , / Though ' tis much rivelled with abortive care ? ' ( lines 17-20 ) . 27 Note too his aside at Iv.ii. 38ff . 28 See Gair's Introduction to the Revels edition on this point , p 38. This speech may be an example of what Ellis ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's