Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 86
Página 48
... drama outside Shakespeare . My claim takes account of Shakespearean drama , considered in the chapters which follow , as well as key plays by Shakespearean rivals . I make no mention of Middleton's Jacobean comedies , such as The Chaste ...
... drama outside Shakespeare . My claim takes account of Shakespearean drama , considered in the chapters which follow , as well as key plays by Shakespearean rivals . I make no mention of Middleton's Jacobean comedies , such as The Chaste ...
Página 186
... drama can be considered analogous to those in painting , the art of the drama is only partly visual and seldom static ; nevertheless , just as the mannerist painter can manipulate spatial relationships and painterly vocabulary in order ...
... drama can be considered analogous to those in painting , the art of the drama is only partly visual and seldom static ; nevertheless , just as the mannerist painter can manipulate spatial relationships and painterly vocabulary in order ...
Página 211
... Drama . Boston : Houghton Mifflin 1975 Chapman , George All Fools . Ed Frank Manley . Regents Renaissance Drama . Lincoln : Nebraska University Press 1968 Greene , Robert The Scottish History of James IV . Ed Norman Sanders . Revels ...
... Drama . Boston : Houghton Mifflin 1975 Chapman , George All Fools . Ed Frank Manley . Regents Renaissance Drama . Lincoln : Nebraska University Press 1968 Greene , Robert The Scottish History of James IV . Ed Norman Sanders . Revels ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's