Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 29
Página 37
... disguise conven- tion to develop his theme ; indeed , ' in no major body of tragic drama have deceptions , disguises ... disguise is rampant : in Iv.ii of Cymbeline alone Imogen is disguised as Fidele , Cloten as Posthumus , and Belarius ...
... disguise conven- tion to develop his theme ; indeed , ' in no major body of tragic drama have deceptions , disguises ... disguise is rampant : in Iv.ii of Cymbeline alone Imogen is disguised as Fidele , Cloten as Posthumus , and Belarius ...
Página 106
... disguise , while Shakespeare allows us to be informed and expectant , since we know of Imogen's disguise in advance of her scenes with Belarius and the boys . We also know , as Imogen does not , that the boys are her brothers , since ...
... disguise , while Shakespeare allows us to be informed and expectant , since we know of Imogen's disguise in advance of her scenes with Belarius and the boys . We also know , as Imogen does not , that the boys are her brothers , since ...
Página 120
... disguised Vincentio and the disguised Altofronto is heightened by Malevole's tendency to remind us of his disguise through his continual verbal posturing , while Shakespeare's Duke - as - friar maintains the façade with less disquiet ...
... disguised Vincentio and the disguised Altofronto is heightened by Malevole's tendency to remind us of his disguise through his continual verbal posturing , while Shakespeare's Duke - as - friar maintains the façade with less disquiet ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
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