Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 20
Página 11
... describe Cleopatra on the barge as ' O'erpicturing that Venus where we see / The fancy outwork nature ' ( 11.ii.201–2 ) ... describes the painting that the heroine contemplates is not known , nor is it known whether Shakespeare ever ...
... describe Cleopatra on the barge as ' O'erpicturing that Venus where we see / The fancy outwork nature ' ( 11.ii.201–2 ) ... describes the painting that the heroine contemplates is not known , nor is it known whether Shakespeare ever ...
Página 85
... describes his role , metaphorically , as being akin to that of a dancer or an acrobat : ' I must look to my footing , ' he says to the audience , for ' In such slippery ice - pavements , men had need / To be frost - nail'd well ; they ...
... describes his role , metaphorically , as being akin to that of a dancer or an acrobat : ' I must look to my footing , ' he says to the audience , for ' In such slippery ice - pavements , men had need / To be frost - nail'd well ; they ...
Página 172
... describes the relationship of a controlling heavenly power to this earthly realm in terms of a schoolboy playing with his top : O Heaven , thy heavy hand is in't . I have seen my little boy oft scourge his top And compar'd myself to't ...
... describes the relationship of a controlling heavenly power to this earthly realm in terms of a schoolboy playing with his top : O Heaven , thy heavy hand is in't . I have seen my little boy oft scourge his top And compar'd myself to't ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's