Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 47
Página 133
... death . Scarus says that Antony Is valiant , and dejected , and by starts His fretted fortunes give him hope and fear Of what he has , and has not . IV.xii.7-9 This is an Antony who weeps alike over the death of Brutus and over the death ...
... death . Scarus says that Antony Is valiant , and dejected , and by starts His fretted fortunes give him hope and fear Of what he has , and has not . IV.xii.7-9 This is an Antony who weeps alike over the death of Brutus and over the death ...
Página 143
... death has led to a renewal of sorts , for as Antigonus ' pleading and death allow Perdita to escape from death at the hands of Leontes , so Mamillius ' death causes Leontes ' repentance as a kind of spiritual renewal . Paulina's ...
... death has led to a renewal of sorts , for as Antigonus ' pleading and death allow Perdita to escape from death at the hands of Leontes , so Mamillius ' death causes Leontes ' repentance as a kind of spiritual renewal . Paulina's ...
Página 148
... death , as much an incidence of recovery as an instrument of loss . Thus as we begin to see death in the Romances as part of a natural cycle of renewal , death becomes both an incidental detail in the overall pattern of existence and a ...
... death , as much an incidence of recovery as an instrument of loss . Thus as we begin to see death in the Romances as part of a natural cycle of renewal , death becomes both an incidental detail in the overall pattern of existence and a ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale