Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 45
... daughter - buried ! v.i.163–5 Here the truth fools Pericles while , earlier , falsehood seemed entirely credible to ... daughter's tomb [ Iv.iv ] . ) On seeing Cloten's disguised body in Iv.ii of Cymbeline , Imogen expresses her ...
... daughter - buried ! v.i.163–5 Here the truth fools Pericles while , earlier , falsehood seemed entirely credible to ... daughter's tomb [ Iv.iv ] . ) On seeing Cloten's disguised body in Iv.ii of Cymbeline , Imogen expresses her ...
Página 145
... daughter and wife who are not dead . Pericles inflicts on himself a similarly mistaken grief . Having been the victim of well - substantiated lies by Cleon and Dionyza ( Iv.iii , Iv.iv ) , he even brings himself to avoid nourishment and ...
... daughter and wife who are not dead . Pericles inflicts on himself a similarly mistaken grief . Having been the victim of well - substantiated lies by Cleon and Dionyza ( Iv.iii , Iv.iv ) , he even brings himself to avoid nourishment and ...
Página 182
... daughter , till , from one sign of dolor to another , she did , with an ' Alas ' , I would fain say , bleed tears , for I am sure my heart wept blood . v.ii.78-85 So the language of this gentleman's speech gets in the way of what he is ...
... daughter , till , from one sign of dolor to another , she did , with an ' Alas ' , I would fain say , bleed tears , for I am sure my heart wept blood . v.ii.78-85 So the language of this gentleman's speech gets in the way of what he is ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's