Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 19
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... conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of illusory awareness , the use of commentator ...
... conventional vocabulary in ways which startle , perplex , or dis- orient . Given various aspects of the painter's or the poet's art , changes in emphasis and effect include the cultivation of illusory awareness , the use of commentator ...
Página 27
... conventional pastoral comedy . This particular interpretation of rustical elements in Romano's work as expressing the forces of nature in conflict with art was first postulated by Sebastiano Serlio , as Gombrich has noted ; 28 writ- ing ...
... conventional pastoral comedy . This particular interpretation of rustical elements in Romano's work as expressing the forces of nature in conflict with art was first postulated by Sebastiano Serlio , as Gombrich has noted ; 28 writ- ing ...
Página 153
... conventional Renaissance notion of drama as life , but the seventeenth- century work of Shakespeare and his contemporaries seems at pains to emphasize the fact of the artifice at the same time as it strives for a heightening of effect ...
... conventional Renaissance notion of drama as life , but the seventeenth- century work of Shakespeare and his contemporaries seems at pains to emphasize the fact of the artifice at the same time as it strives for a heightening of effect ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's