Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 43
Página 30
... clearly more to the subjective and less to the harmonious intellectual order perceived so clearly by the artists of the High Renaissance . In the Tintoretto painting , Christ's importance is not the result of a mathematical centrality ...
... clearly more to the subjective and less to the harmonious intellectual order perceived so clearly by the artists of the High Renaissance . In the Tintoretto painting , Christ's importance is not the result of a mathematical centrality ...
Página 37
... clearly perceived , a man could smile and smile and be a villain ; detachment is crucial . Through his theatrical art , the mannerist playwright capitalizes on the ambiguous effects of devices such as the play metaphor , the dramaturgy ...
... clearly perceived , a man could smile and smile and be a villain ; detachment is crucial . Through his theatrical art , the mannerist playwright capitalizes on the ambiguous effects of devices such as the play metaphor , the dramaturgy ...
Página 154
... clearly seen in the work of the Cinquecento's most distinguished practitioner , Michelangelo . As a sculptor , Michelangelo fills his works with a brood- ing intensity . His figures struggle from the stone as surely as their inner souls ...
... clearly seen in the work of the Cinquecento's most distinguished practitioner , Michelangelo . As a sculptor , Michelangelo fills his works with a brood- ing intensity . His figures struggle from the stone as surely as their inner souls ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
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