Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 7
Página 49
... blood flows through veins . Caliban also suggests the reality of his dreams in 111.ii of The Tempest by saying , in dreaming , The clouds methought would open and show riches Ready to drop upon me , that , when I waked , I cried to ...
... blood flows through veins . Caliban also suggests the reality of his dreams in 111.ii of The Tempest by saying , in dreaming , The clouds methought would open and show riches Ready to drop upon me , that , when I waked , I cried to ...
Página 131
... blood . When man's worst sin is he does too much good ! My dearest lord , blest to be most accurst , Rich only to be wretched , thy great fortunes Are made thy chief afflictions . IV.ii.37-44 In no other Shakespearean tragedy are the ...
... blood . When man's worst sin is he does too much good ! My dearest lord , blest to be most accurst , Rich only to be wretched , thy great fortunes Are made thy chief afflictions . IV.ii.37-44 In no other Shakespearean tragedy are the ...
Página 182
... blood . v.ii.78-85 So the language of this gentleman's speech gets in the way of what he is trying to say , just as the entire narrative scene gets in the way of our direct participation in the father - daughter reconciliation . Similar ...
... blood . v.ii.78-85 So the language of this gentleman's speech gets in the way of what he is trying to say , just as the entire narrative scene gets in the way of our direct participation in the father - daughter reconciliation . Similar ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's