Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 33
Página 48
... allow relevant comparison with the mannerist Shakespeare . George Chapman will escape mention because his plays , in relation to Marston's , are less usefully compared with Shakespeare's in regard to the possible effects of stylistic ...
... allow relevant comparison with the mannerist Shakespeare . George Chapman will escape mention because his plays , in relation to Marston's , are less usefully compared with Shakespeare's in regard to the possible effects of stylistic ...
Página 69
... allow the Jacobean Sprecher to be less fully contained by the play than the Elizabethan one is by his . Non - Shakespearean Sprecher figures in Jacobean drama , such as those by Marston , offer a contrast with Shakespeare's in that they ...
... allow the Jacobean Sprecher to be less fully contained by the play than the Elizabethan one is by his . Non - Shakespearean Sprecher figures in Jacobean drama , such as those by Marston , offer a contrast with Shakespeare's in that they ...
Página 98
... allowed for the kind of continuous narrative invention at which he was adept . Needless to say , such unconventional strategies in painting , architecture , and drama allow the mannerist artist plenty of scope for caprice and invention ...
... allowed for the kind of continuous narrative invention at which he was adept . Needless to say , such unconventional strategies in painting , architecture , and drama allow the mannerist artist plenty of scope for caprice and invention ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's