Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 9
Página 136
... Vindice later wrings a confession from his mother , she takes the irony of Vindice's role - playing one step further when she says to him , I'll give you this , that one I never knew Plead better for , and ' gainst , the devil than you ...
... Vindice later wrings a confession from his mother , she takes the irony of Vindice's role - playing one step further when she says to him , I'll give you this , that one I never knew Plead better for , and ' gainst , the devil than you ...
Página 164
... Vindice indulges in other bits of theatre that are equally disgusting . Such is the case with Vindice's stabbing of the dead body of the Duke in the habit of Piato , thereby acting out the killing of his disguised self , and with his ...
... Vindice indulges in other bits of theatre that are equally disgusting . Such is the case with Vindice's stabbing of the dead body of the Duke in the habit of Piato , thereby acting out the killing of his disguised self , and with his ...
Página 165
... Vindice's speeches over the skull of his betrothed ( 1.1.1-49 ; 111.v.43ff ) . Not only are both speeches filled with ' artificial ' language - ' picture , ' ' performance , ' ' tragedy , ' ' ar- tificial shine , ' ' show , ' ' property ...
... Vindice's speeches over the skull of his betrothed ( 1.1.1-49 ; 111.v.43ff ) . Not only are both speeches filled with ' artificial ' language - ' picture , ' ' performance , ' ' tragedy , ' ' ar- tificial shine , ' ' show , ' ' property ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale