Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 16
Página 30
... Tintoretto's Last Supper ( figure 14 ) from Leonardo's ( figure 15 ) . Completing the painting in the last year of his life , 34 Tintoretto replaced the balance and symmetry of Leonardo's single - point perspective with an angular ...
... Tintoretto's Last Supper ( figure 14 ) from Leonardo's ( figure 15 ) . Completing the painting in the last year of his life , 34 Tintoretto replaced the balance and symmetry of Leonardo's single - point perspective with an angular ...
Página 153
... Tintoretto's suspending of clay models by wires from the ceiling in order to get a view of them from below . An older Tintoretto studied casts of Michelangelo's figures from points of view that involved extreme foreshortening.5 ...
... Tintoretto's suspending of clay models by wires from the ceiling in order to get a view of them from below . An older Tintoretto studied casts of Michelangelo's figures from points of view that involved extreme foreshortening.5 ...
Página 201
... Tintoretto a mannerist , but prefer to agree with Janson , who considers Tintoretto the ' leading exponent ' of Mannerism in Venice towards the middle of the sixteenth century ( His- tory of Art , p 376 ) , and with Friedländer , who ...
... Tintoretto a mannerist , but prefer to agree with Janson , who considers Tintoretto the ' leading exponent ' of Mannerism in Venice towards the middle of the sixteenth century ( His- tory of Art , p 376 ) , and with Friedländer , who ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale