Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
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Página 29
... Renaissance Italian visual art or late Renaissance English dramatic art include the fact that so much of the art of both periods is individualistic , eccentric , or idiosyncratic , as artists like Par- migianino , Romano , and ...
... Renaissance Italian visual art or late Renaissance English dramatic art include the fact that so much of the art of both periods is individualistic , eccentric , or idiosyncratic , as artists like Par- migianino , Romano , and ...
Página 186
... Renaissance , regard- less of cross - fertilization or time lag . A further qualification arises from our associative method . While trends in drama can be considered analogous to those in painting , the art of the drama is only partly ...
... Renaissance , regard- less of cross - fertilization or time lag . A further qualification arises from our associative method . While trends in drama can be considered analogous to those in painting , the art of the drama is only partly ...
Página 214
... Renaissance in England . New York : Franklin 1902 Eliot , T.S. Essays on Elizabethan Drama . New York : Harcourt 1932 Ellis - Fermor , Una The Jacobean Drama . London : Methuen 1953 Finkelpearl , Philip J. John Marston of the Middle ...
... Renaissance in England . New York : Franklin 1902 Eliot , T.S. Essays on Elizabethan Drama . New York : Harcourt 1932 Ellis - Fermor , Una The Jacobean Drama . London : Methuen 1953 Finkelpearl , Philip J. John Marston of the Middle ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
action actor allow Antony appears Architecture artificial artistic aspect audience awareness becomes calls character clearly comedy continual contrast conventional court death describes device disguise double drama dramatist dream Duke earlier effect Elizabethan English evidence expression fact false figure final fool further Giulio given gives hand Hermione hero illusion imagination instance interest Italian Italy Jacobean John Jones kind King later Leontes less Lives London look Lord Mannerism mannerist Marston masque means Measure merely metaphor mocks moral nature opening painter painting perspective picture play play's playwright plot present reality refers relation relationship remarkable Renaissance result reveals revenge role romance satiric says scene seems sense Shakespeare shift similar simultaneously speak speech Sprecher stage stand style suggests Tale theatre theatrical things thou tragedy truth turns University Press vision Winter's