Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 56
... malcontent figure , Asper - Macilente , differs markedly from Shakespeare's contemporaneous figure of Jaques . Instead of using the malcontent figure simply to balance the play's rhetorical and emo- tional posture , Jonson reaches ...
... malcontent figure , Asper - Macilente , differs markedly from Shakespeare's contemporaneous figure of Jaques . Instead of using the malcontent figure simply to balance the play's rhetorical and emo- tional posture , Jonson reaches ...
Página 57
... Malcontent in Marston's figure of Mal- evole , perhaps the most significant malcontent in Jacobean drama . Now the malcontent becomes a choleric rather than a melancholic individual , having a temperament particularly marked by ...
... Malcontent in Marston's figure of Mal- evole , perhaps the most significant malcontent in Jacobean drama . Now the malcontent becomes a choleric rather than a melancholic individual , having a temperament particularly marked by ...
Página 119
... Malcontent and unlike Vindice - always keeps in mind the purpose of his disguising , since he wishes that matters were not so out of hand that he cannot return to his original position at the head of state . But his role - playing ...
... Malcontent and unlike Vindice - always keeps in mind the purpose of his disguising , since he wishes that matters were not so out of hand that he cannot return to his original position at the head of state . But his role - playing ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale