Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 25
Página 49
... Leontes is essentially saying that he accepts the veracity of some- thing non - existent . Yet whole plot turns spin from what Paulina calls Leontes ' ' weak - hinged fancy ' ( 11.iii.118 ) , his jealousies , ' Fancies too weak for boys ...
... Leontes is essentially saying that he accepts the veracity of some- thing non - existent . Yet whole plot turns spin from what Paulina calls Leontes ' ' weak - hinged fancy ' ( 11.iii.118 ) , his jealousies , ' Fancies too weak for boys ...
Página 50
... Leontes is unaware that he is the one who is ' deceived / In that which seems so ' ( 1.ii.239-40 ) . Leontes ' speech here too is its own tangled two- sided debate , but its succinct conclusion is as clear as it is false . Yet , as with ...
... Leontes is unaware that he is the one who is ' deceived / In that which seems so ' ( 1.ii.239-40 ) . Leontes ' speech here too is its own tangled two- sided debate , but its succinct conclusion is as clear as it is false . Yet , as with ...
Página 146
... Leontes ' entire behaviour is thus based on falsehoods as a result of his poor judgment . In Camillo's words , Leontes is ' in rebellion with himself ' ( 1.ii.353 ) and is thus dead wrong when he passionately believes he is right , and ...
... Leontes ' entire behaviour is thus based on falsehoods as a result of his poor judgment . In Camillo's words , Leontes is ' in rebellion with himself ' ( 1.ii.353 ) and is thus dead wrong when he passionately believes he is right , and ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
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