Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 15
Página 4
... Inigo Jones , 3 the English architect and scene designer who was to become the unofficial arbiter of taste in the Jacobean court for nearly two decades . Jones had thus come into close contact with Italian art early in his career and ...
... Inigo Jones , 3 the English architect and scene designer who was to become the unofficial arbiter of taste in the Jacobean court for nearly two decades . Jones had thus come into close contact with Italian art early in his career and ...
Página 35
... Inigo Jones ' own specific observations may possibly have been . However , Dowland and Oliver 49 had both been to Italy by 1600 , and the basis for continuous contact between those responsible for artistic developments in both countries ...
... Inigo Jones ' own specific observations may possibly have been . However , Dowland and Oliver 49 had both been to Italy by 1600 , and the basis for continuous contact between those responsible for artistic developments in both countries ...
Página 191
... Inigo Jones and the Teatro Olimpico ' ) accepts the ' growing circumstantial evidence that Jones was in Italy around 1600 ' ( p 70 ) . Frances Yates ( Theatre of the World , p 81 ) says that Jones had ' certainly travelled abroad before ...
... Inigo Jones and the Teatro Olimpico ' ) accepts the ' growing circumstantial evidence that Jones was in Italy around 1600 ' ( p 70 ) . Frances Yates ( Theatre of the World , p 81 ) says that Jones had ' certainly travelled abroad before ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale