Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Resultados 1-3 de 14
Página 200
... Hartt , Giulio Romano , 13 Vasari , Lives , vol v , p 247 . 14 Newton , p 55 . PP 269ff . 15 Bull , trans , Selected Letters , pp 213-14 , and intro , p 24 . 16 Hartt , Giulio Romano , p 97. See also Kurth W. Forster and Richard J ...
... Hartt , Giulio Romano , 13 Vasari , Lives , vol v , p 247 . 14 Newton , p 55 . PP 269ff . 15 Bull , trans , Selected Letters , pp 213-14 , and intro , p 24 . 16 Hartt , Giulio Romano , p 97. See also Kurth W. Forster and Richard J ...
Página 201
... Hartt , Giulio Romano , p 153 and note 56 . 26 Hartt , Giulio Romano , p 92 and Vasari , Lives vol vi , p 154 . 27 Vasari , Lives , vol v1 , p 165 . 28 ' Zum Werke Giulio Romanos , ' Jahrbuch der Kunsthistorichen Sammlungen in Wien , NF ...
... Hartt , Giulio Romano , p 153 and note 56 . 26 Hartt , Giulio Romano , p 92 and Vasari , Lives vol vi , p 154 . 27 Vasari , Lives , vol v1 , p 165 . 28 ' Zum Werke Giulio Romanos , ' Jahrbuch der Kunsthistorichen Sammlungen in Wien , NF ...
Página 202
... Hartt , Giulio Romano , p 37 . 43 Hartt , Giulio Romano , p 39–40 . 44 Hartt , Giulio Romano , pp 37 and 42-3 . 45 Hartt , Giulio Romano , P 18 . 46 Hartt , Giulio Romano , pp 73-4 ; Vasari , Lives , vol vi , p 163 . 47 Thomas Coryate ...
... Hartt , Giulio Romano , p 37 . 43 Hartt , Giulio Romano , p 39–40 . 44 Hartt , Giulio Romano , pp 37 and 42-3 . 45 Hartt , Giulio Romano , P 18 . 46 Hartt , Giulio Romano , pp 73-4 ; Vasari , Lives , vol vi , p 163 . 47 Thomas Coryate ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale