Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
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Página 194
... Cupid's Revenge at the Blackfriar's , but at the Globe Hy- men in As You Like It and Diana in Pericles both entered on foot ' ( p xxxvii ) . The observation may account for Forman's failing to mention Jupiter's flight in Cymbeline . A ...
... Cupid's Revenge at the Blackfriar's , but at the Globe Hy- men in As You Like It and Diana in Pericles both entered on foot ' ( p xxxvii ) . The observation may account for Forman's failing to mention Jupiter's flight in Cymbeline . A ...
Página 221
... Cupid's Revenge 194n16 ; A King and No King 47 , 52 , 95 , 107 , 111 , 173 , 187 , 207n17 , compared with A Winter's Tale 138-42 ; A Maid's Tragedy 205n12 ; Philaster 46 , 52 , 112 , 138 , 173 , 187 , 194n16 , compared with Cymbeline ...
... Cupid's Revenge 194n16 ; A King and No King 47 , 52 , 95 , 107 , 111 , 173 , 187 , 207n17 , compared with A Winter's Tale 138-42 ; A Maid's Tragedy 205n12 ; Philaster 46 , 52 , 112 , 138 , 173 , 187 , 194n16 , compared with Cymbeline ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale