Shifting Perspectives and the Stylish Style: Mannerism in Shakespeare and His Jacobean ContemporariesUniversity of Toronto Press, 1988 - 227 páginas |
Dentro del libro
Página 46
... Philaster , for example , when Bellario is revealed to be Euphrasia , Philaster's lover from afar who chose to be disguised as his page , and no remarks about doubtful perception or inadequate vision are made in act IV of the same ...
... Philaster , for example , when Bellario is revealed to be Euphrasia , Philaster's lover from afar who chose to be disguised as his page , and no remarks about doubtful perception or inadequate vision are made in act IV of the same ...
Página 105
... Philaster , plays which beg com- parison for their use of romantic story materials and for their contem- poraneity . The matter of which play came first is unimportant in this regard , since the significance of the plays for my argument ...
... Philaster , plays which beg com- parison for their use of romantic story materials and for their contem- poraneity . The matter of which play came first is unimportant in this regard , since the significance of the plays for my argument ...
Página 106
... Philaster must remain intact in spite of the slander and even wounding undergone by the former at the hands of the latter such idyllic loyalty is most assuredly the stuff of romance . - Despite the similarities in the two plays , the ...
... Philaster must remain intact in spite of the slander and even wounding undergone by the former at the hands of the latter such idyllic loyalty is most assuredly the stuff of romance . - Despite the similarities in the two plays , the ...
Contenido
CHAPTER I | 19 |
ON UNPREDICTABILITY AND NONCLASSICAL UNITY | 97 |
CHAPTER IV | 118 |
Derechos de autor | |
Otras 5 secciones no mostradas
Términos y frases comunes
actor Antonio's Revenge Antony appears Arbaces Architecture Arruntius artificial artistic Arundel aspect audience Beaumont and Fletcher Bosola character Cleopatra Cloten comedy contrast conventional court Cressida Cymbeline death device disguise dramatist dramaturgical dream Duchess Duke earlier effect Elizabethan English false fool Giulio Romano Hartt Hermione hero Hilliard illusion illusory awareness Imogen Inigo Jones interest Italian Jacobean drama John Jones Jonson kind King King's Lear Leontes London main action Malcontent Malevole's Mannerism mannerist art Marston masque mocks nature Nicholas Hilliard painter painting Palazzo del Té Perdita Pericles perspective Philaster Piero play metaphor play's plot Posthumus posture Prospero Renaissance reveals revenge Revenger's Tragedy role satiric says scene SECOND LORD Sejanus self-conscious sense Shakespeare Shakespearean romance simultaneously speak speech Sprecher figures sprezzatura stage stylish style theatre theatrical Thersites thou Timon Tintoretto tragedy tragicomedy Troilus Troilus and Cressida University Press v.ii Vasari Vindice's vision visual Winter's Tale