The Student, Or, The Oxford and Cambridge Monthly Miscellany, Volumen2J. Newbery ... J. Barrett in Oxford, and J. Merrill in Cambridge, 1751 |
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Página 24
... last line , A Candle , & c . is inconceivably elegant , which it would be throwing away time , words , and ink , to take notice of , —only we'll just remark the poetick licence fplen- didly refulgent in the laft word CANDLE - STEICK ...
... last line , A Candle , & c . is inconceivably elegant , which it would be throwing away time , words , and ink , to take notice of , —only we'll just remark the poetick licence fplen- didly refulgent in the laft word CANDLE - STEICK ...
Página 37
... last I turn ; Not for my fuff'rings , but my fins I mourn . For all my crimes thy mercy I implore , And to thofe mercies thou haft shown before , Add , Lord , thy grace , that I may fin no more . --- I beg thy goodness to prolong my ...
... last I turn ; Not for my fuff'rings , but my fins I mourn . For all my crimes thy mercy I implore , And to thofe mercies thou haft shown before , Add , Lord , thy grace , that I may fin no more . --- I beg thy goodness to prolong my ...
Página 38
... last : - Let me again this mortal race begin , Let me live on , but not live on to fin : Which if thy heavenly wisdom find unfit , Thy will be done , I humbly do fubmit . But let thy fov'reign mercy bear the sway , Let juftice throw the ...
... last : - Let me again this mortal race begin , Let me live on , but not live on to fin : Which if thy heavenly wisdom find unfit , Thy will be done , I humbly do fubmit . But let thy fov'reign mercy bear the sway , Let juftice throw the ...
Página 61
66 66 " Many people ( fays the editor in his preface to the last " edition of this play ) have imagined that the fudden change " of ROMEO's love from ROSALINE to JULIET was a " blemish in his character : but SHAKESPEARE has dwelt ...
66 66 " Many people ( fays the editor in his preface to the last " edition of this play ) have imagined that the fudden change " of ROMEO's love from ROSALINE to JULIET was a " blemish in his character : but SHAKESPEARE has dwelt ...
Página 64
... last act , between the two lovers at the tomb is very happily imagined , and excites both pity and terrour , the two principal objects of tragedy . But the merit of it is chiefly due to OTWAY , who in his Caius Marius ( founded on this ...
... last act , between the two lovers at the tomb is very happily imagined , and excites both pity and terrour , the two principal objects of tragedy . But the merit of it is chiefly due to OTWAY , who in his Caius Marius ( founded on this ...
Otras ediciones - Ver todas
The Student, Or, The Oxford and Cambridge Monthly Miscellany, Volúmenes1-2 Vista de fragmentos - 1971 |
Términos y frases comunes
affiftance againſt alfo anſwer Apollo and Daphne beauty becauſe beſt cauſe cerebellum CHEYNEL CHRISTOPHER PITT confequence confiderable defign defire Ditto divine dura mater facred faid fame fatire fays feems felf fenfe fent fervice feveral fhall fhew fhort fhould fide fince firft firſt fome foon foul fpirit FRANCIS CHEYNEL ftate ftill fubject fuch fufficient fuperior fure Gil Blas greateſt happineſs heart heaven herſelf himſelf honour houſe inftance inftrument intereft itſelf juft juſt lady laft laſt leaſt lefs letter living Lord mafter majefty Mifs moft moſt muft muſt myſelf nature neceffary Numb obferve occafion ourſelves Oxford paffion perfon pleaſe pleaſure praiſe prefent publiſhed purpoſe raiſe reafon rife ſcene ſee ſeems ſenſe ſeveral ſhall ſhe ſome ſpeak STUDENT ſuch thee thefe themſelves theſe thing thofe thoſe thou thought thro TIMOTHY BECK tion Univerſity uſe vifit virtue whofe whoſe wife worſhip